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Lead Actors

James Stewart Thumbnail
James Stewart
as Paul Biegler
Lee Remick Thumbnail
Lee Remick
as Laura Manion
Ben Gazzara Thumbnail
Ben Gazzara
as Lt. Frederick Manion
Arthur O'Connell Thumbnail
Arthur O'Connell
as Parnell Emmett McCarthy
Eve Arden Thumbnail
Eve Arden
as Maida Rutledge

View full cast
Crew listing

Otto Preminger Thumbnail
Otto Preminger
(Producer)
John D. Voelker
(Producer)

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Studios



Columbia Pictures

Anatomy of a Murder (1959)

Rating:
  
8.6
/ 10
  15 votes
MV Ratings:
Director: Otto Preminger
Writer: Wendell Mayes
John D. Voelker
Release Date: 1 July 1959 (United States)  more
Language: English
Genre: Comedy | Crime | Drama | Mystery

Storyline

Paul Biegler is a small town lawyer who until recently had been the local prosecutor and given a lack of clients, he spends a lot of time fishing. When a murder takes place in a trailer park on the outskirts of town, he is asked to defend Lt. Frederick Manion who admits to having killed Barney Quill, a local bar owner who allegedly raped his wife. He now claims temporary insanity. The case is both

The Director

Otto Preminger
Otto Ludwig Preminger (5 December 1905 – 23 April 1986) was an Austro–Hungarian-American theatre and film director.

After moving from the theatre to Hollywood, he directed over 35 feature films in a five-decade career. He rose to prominence for stylish film noir mysteries such as Laura (1944) and Fallen Angel (1945). In the 1950s and 1960s, he directed a number of high-profile adaptations of popular novels and stage works. Several of these pushed the boundaries of censorship by dealing with topics which were then taboo in Hollywood, such as drug addiction (The Man with the Golden Arm, 1955), rape (Anatomy of a Murder, 1959), and homosexuality (Advise & Consent, 1962). He was twice nominated for the Best Director Academy Award. He also had a few acting roles.

Description above from the Wikipedia article Otto Preminger, licensed under CC-BY-SA, full list of contributors on Wikipedia.

User Reviews

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User Comments

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thaklos

I love how ambiguous this film's conclusion is, most of the people involved in the case are so suspect, morally and otherwise, that it's impossible to say whether Manion is guilty, and yet that isn't the point. This film's success is a result of its willingness to portray Stewart's Biegler as both imperfect and uncertain, and yet still willing to passionately defend a person based, not on his own certainty, but rather on the principles that he holds dear.


FitFortDanga

Fairly good courtroom drama. Jimmy Stewart does his usual Jimmy Stewart thing. This feels kinda formulaic and predictable by today's standards, but perhaps in 1959 it was still fresh. All the talk of rape and sperm and panties must have been rather shocking at the time.


Stain

Where's the beef? Not really that exciting a movie, despite its reputation, and although I like Duke Ellington the score is often used in a highly obtrusive way. Sort of like the Stevie Wonder music in _Jungle Fever_ sometimes actually drowning out the dialogue