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To Catch a Thief (1955)
Rating:
8.6/10
Director:
Alfred Hitchcock
Genre:
Comedy | Crime | Drama
Tagline:
WANTED by the police in all the luxury-spots of E...

Anatomy of a Murder (1959)
Rating:
8.6/10
Director:
Otto Preminger
Genre:
Comedy | Crime | Drama
Tagline:
none

Dial M For Murder (1954)
Rating:
8.4/10
Director:
Alfred Hitchcock
Genre:
Crime | Drama | Mystery
Tagline:
Kiss By Kiss...Supreme Suspense Unfurls!

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Lead Actors

James Stewart Thumbnail
James Stewart
as Det. John 'Scottie' Ferguson
Kim Novak Thumbnail
Kim Novak
as Madeleine Elster/Judy Barton
Barbara Bel Geddes Thumbnail
Barbara Bel Geddes
as Marjorie 'Midge' Wood
Ellen Corby Thumbnail
Ellen Corby
as Manager of McKittrick Hotel
Lee Patrick Thumbnail
Lee Patrick
as Car owner mistaken for Madeleine

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Crew listing

Alfred Hitchcock Thumbnail
Alfred Hitchcock
(Producer)
James C. Katz
(Producer)
Herbert Coleman
(Producer)

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Studios



Paramount Pictures, Universal Pictures, United International Pictures GmbH

This movie is about

Manipulation   
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Vertigo (1958)

Rating:
  
8.77
/ 10
  37 votes
MV Ratings:
Director: Alfred Hitchcock
Writer: Pierre Boileau
Thomas Narcejac
Release Date: 9 May 1958 (United States)  more
Language: English
Genre: Crime | Drama | FilmNoir | Mystery
Tagline: A Hitchcock thriller. You should see it from the beginning!

Storyline

An ex-police officer is asked to follow an old friends wife who thinks she is being followed by ghosts. A classic Hitchcock about a man who's afraid of heights and a woman he must unfortunately follow to great heights.

Backdrops


The Director

Alfred Hitchcock
Sir Alfred Joseph Hitchcock, KBE (13 August 1899 – 29 April 1980) was an Anglo-American director and producer. He pioneered many techniques in the suspense and psychological thriller genres. After a successful career in his native United Kingdom in both silent films and early talkies, Hitchcock moved to Hollywood. In 1956 he became an American citizen while remaining a British subject.

Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognizable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximize anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside "icy blonde" female characters. Many of Hitchcock's films have twist endings
...  see more

User Reviews

Revisiting Vertigo for the AFI Project
Spoiler Alert!    Spoiler Alert!    Spoiler Alert!    Spoiler Alert!    Spoiler Alert!    Spoiler Alert!
From August 23, 2009:

What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here:http://www.spout.com/blogs/pippin06/archive/2008/3/1/25756.aspx

Vertigo is on the following AFI lists:

The Original Top 100 (#61)
100 Most Heart-Pounding Movies (#18)
100 Years...100 Passions (#18)
25 Film Scores (#12)
The Revised Top 100 (#9)
10 Top 10's (#1 Mystery)

I warn you gentle reader: this is going to be a highly unpopular review. Prior to this current incarnation of serious AFI viewing, I had seen Vertigo once before and had determined that this was my least favorite Alfred Hitchcock film to date. I walked into this revisit (instantly on Netflix) with as open a mind as I could muster – and have concluded that I feel the same way about this movie as I did the first time I watched it. This may be troubling to some, as Vertigo is widely considered Hitch’s masterpiece. In fact, the AFI’s re-rank of this film is one of the largest rank jumps on the Revised list (third only to City Lights and The Searchers). As a satisfying story, which is one of my primary biases toward any film I watch, I find Vertigo to be somewhat convenient and trite. Those who love the film make much of the mid-movie reveal that changes the film from an alluring mystery of possibly paranormal proportions to a disturbing psychological thriller of one man’s obsession with a woman that does not exist. The problem is, these reveals happen in such a jarring way, they feel rushed and unsatisfying. The mid-movie reveal, in particular, made me think both times, “Well, that’s convenient.” Hitch repeated this pattern in Psycho, and it wa...

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reviewed by
Pippin2010
(Filmaster.com) on the 11th of March 2010

User Comments

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magb

Possibly Hitchcock's greatest achievement.


FitFortDanga

While Rear Window is my personal favorite by Hitchcock, this is a strong number two, and I'm sure most people would count it among the top three at least. I don't know what I can say about Vertigo that hasn't been said many times over, so I'll just mention that I believe the score to be Herrmann's most beautiful work.


Stain

Big stars, gorgeous and Hollywood, yet personal. A thriller about a weak, fucked-up individual played by one of Hollywood's most likable stars. Lovely example of how Hitchcock can be as intellectual as any of the auteurs we have rammed down our throats in film school, yet still fun