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Sen to Chihiro no kamikakushi (2001)
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Storyline
Chihiro and her family are on their way to their new house in the suburbs when her father decides to take a shortcut along a lonely-looking dirt road. After getting out of the car and walking along a path for a while, they discover an open-air restaurant filled with food but with no workers or customers present. Mom and Dad don't hesitate to sit down and dig in, but Chihiro senses danger and refuses. As night falls, she is terrified to see the area fill with faceless spirits, but when she runs to find her parents, she discovers that they have been turned into pigs. She is found by a mysterious boy named Haku, who promises to help her. He gets her a job working in a nearby building, which turns out to be a bathhouse for the thousands of Japan's gods and spirits. Though the work is hard and the people strange, she does as well as she can. Her parents, however, are still waiting in the hotel's stockyard, and Chihiro must find a way to break the spell on them before they end up as the main course of some guest's dinner. |
Backdrops
The Director
 Hayao MiyazakiHayao Miyazaki (Miyazaki Hayao, born January 5, 1941) is a Japanese manga artist and prominent film director and animator of many popular anime feature films. Through a career that has spanned nearly five decades, Miyazaki has attained international acclaim as a maker of animated feature films and, along with Isao Takahata, co-founded Studio Ghibli, an animation studio and production company. The success of Miyazaki's films has invited comparisons with American animator Walt Disney, British animator Nick Park as well as Robert Zemeckis, who pioneered Motion Capture animation, and he has been named one of the most influential people by Time Magazine.
Miyazaki began his career at Toei Animation as an in-between artist for Gulliver's Travels Beyond the Moon where he pitched his own ideas that eventually became the movie's ending. He continued to work in various roles in the animation ind ustry over the decade until he was able to direct his first feature film Lupin III: The Castle of Cagliostro which was published in 1979. After the success of his next film, Nausicaä of the Valley of the Wind, he co-founded Studio Ghibli where he continued to produce many feature films until Princess Mononoke whereafter he temporarily retired.
While Miyazaki's films have long enjoyed both commercial and critical success in Japan, he remained largely unknown to the West until Miramax released his 1997 film, Princess Mononoke. Princess Mononoke was the highest-grossing film in Japan—until it was eclipsed by another 1997 film, Titanic—and the first animated film to win Picture of the Year at the Japanese Academy Awards. Miyazaki returned to animation with Spirited Away. The film topped Titanic's sales at the Japanese box office, also won Picture of the Year at the Japanese Academy Awards and was the first anime film to win an American Academy Award.
Miyazaki's films often incorporate recurrent themes, such as humanity's relationship to nature and technology, and the difficulty of maintaining a pacifist ethic. Reflecting Miyazaki's feminism, the protagonists of his films are often strong, independent girls or young women. Miyazaki is a vocal critic of capitalism and globalization.[3] While two of his films, The Castle of Cagliostro and Castle in the Sky, involve traditional villains, his other films such as Nausicaa or Princess Mononoke present morally ambiguous antagonists with redeeming qualities.
User Reviews
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If only I could've seen this as a child. But wait... I can! Because Spirited Away feels and looks precisely like seeing the world through the eyes of a child -- everything is magical, wonderful, frightening. The animation is second to none.