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Lead Actors

Laurence Olivier Thumbnail
Laurence Olivier
as Johnnie - the Trapper
Leslie Howard Thumbnail
Leslie Howard
as Philip Armstrong Scott
Eric Portman Thumbnail
Eric Portman
as Lieutenant Hirth

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Crew listing

Michael Powell Thumbnail
Michael Powell
(Producer)

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49th Parallel (1942)

Rating:
  
6.0
/ 10
  Less then 10 votes
Director: Michael Powell
Release Date: 8 October 1941 (United Kingdom)  more
Language: English | French | German
Genre: Drama | Foreign | Thriller | War

Storyline

A damaged U-boat is stranded in a Canadian bay in the early years of World War II. The Fanatical Nazi captain and his crew must reach the neutral United States or be captured. Along the way they meet a variety of characters each with their own views on the war and nationalism. In this film Michael Powell and Emeric Pressburger show their ideas of why the United States should join the Allied fight

The Director

Michael Powell
Michael Latham Powell (30 September 1905 – 19 February 1990) was a renowned English film director, celebrated for his partnership with Emeric Pressburger. They worked together under the name of "The Archers" and produced a series of classic British films, notably The Thief of Bagdad (1940), 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946, also called Stairway to Heaven), Black Narcissus (1947) and The Red Shoes (1948). His controversial 1960 film Peeping Tom, however, was so vilified that his career was seriously damaged.

Description above from the Wikipedia article Michael Powell (director), licensed under CC-BY-SA, full list of contributors on Wikipedia.

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FitFortDanga

An occasionally absurd bit of propaganda, but an entertaining one. The fact that this plays out as an adventure film from the perspective of the Nazis is novel, and it ends up being a pretty fun time, and fairly effective despite its ham-fistedness. The low point is without a doubt Olivier's vile attempt at a Quebecois accent. Whether he's hamming it up for comic effect or because that's just how he acts, it's an embarrassment. The highlight is MacGinnis as the one reluctant Nazi.