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Gone Girl
Rating:
8.6/10
Director:
David Fincher
Genre:
Drama | Mystery | Thriller
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Annabelle
Rating:
6.6/10
Director:
John R. Leonetti
Genre:
Horror
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The Equalizer
Rating:
7.5/10
Director:
Antoine Fuqua
Genre:
Action | Crime | Thriller
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The Boxtrolls
Rating:
9.3/10
Director:
Graham Annable
Genre:
Adventure | Animation
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Heroes come in all shapes and sizes... even recta...

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Stain on Rain Man (1988)
Forget Hoffman. Playing tards is easy. The real fine performance here is Tom Cruise's. He does a really good job of convincing you that he's a pushy car salesman who had a rough childhood and who can be a real jerk sometimes. As usual for this kind of film, it's the performance of the "normal" guy that has to work for the movie to succeed
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emtilt on Mighty Morphin Power Rangers: The Movie (1995)
hahahahahahahahahahahahahahahahahahahaha
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pivic on The Maltese Falcon (1941)
Based on a Sam Spade-novel written by Dashiell Hammett and directed by John Huston, this is an honest affair: straight lines, quick thinking and talking by Bogart, and funny incidents from Lorre and Greenstreet. The film doesn't start off with the Falcon, but with a simple tail-job that ends up twisting Bogart's noggin, to say the least. Excellent direction and noir-feel, exciting and entertaining until the end.
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FitFortDanga on Die Blechtrommel (1979)
Has a Werner Herzog meets John Irving kind of feel to it that I should have enjoyed, but I didn't. I was thoroughly uninterested and I don't know why I bothered to sit through the whole thing. I had no sense of curiosity or emotional involvement for the characters. It was unusual, and it was shot well, but I didn't care about any of it.
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thaklos on Transporter 3 (2008)
Manages to be the most boring Transporter film. Good god the relationship is pointless.
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mjjzf on Eragon (2006)
When I saw this film, the only effect it had was deep frustration and a decision not to read the book. Plot was well-known from thousands of other fantasy books, acting never reached mediocre and the effects had already been seen elsewhere. The excessive hype was an ill-spent fortune.
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Spunkie on Long-Haired Hare (1949)
Kudos to conduction part.
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magb on The Lives of Others (2006)
This film is almost perfect up until the end, when it starts to falter a bit. The climax feels a bit too convenient, and most of the denouement (which is remarkably similar to the end of In the Mood for Love), doesn't sit right with me. But then the brilliant final scene comes along, and I forget all about those things.
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Emelar on Avatar (2009)
Fantastic SFX from Weta.
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wolfnotes on The Getaway (1972)
One of the best opening credit sequences I've seen.
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